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Hurennoise makes a critical study of the mechanismens, which are brought into
action by the powerful to perpetuate their position, whereby each acting is meant,
which subserves to oppress individuality. All what is useful to keep (wrongfully
practised) might, for instance the misusage of media as intruments of control and
keeping in leading-strings or the oppression of self-determination is made a subject
of discussion.
The performance wants to tear the audience out of habitual tracks of perception, they
shall be lead to such of irritation respectively distraction. The - the normal
capacity of perception exceeding - series of pictures and sound sequences as a total
composition shall make aware the instrumentalisation of media for the purpose of
oppression and control.
Dynamism is given thereby, that each performance singles out a certain aspect and
works on it. According to that these series are subjected to a permanent modification
and a continuous change, a flexibility, which is as well claimed by the audience.
From pure consumption quasi to conscious reflection, from dictation to active
reception, from passive to synthetical anticipation. * german
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